Ambient, wafting synth pads and distorted leads set the scene for some humble, soft piano — giving way to a luxurious swell of warm synth tones at the height of the track. Just like the smell of soil after summer rain.
Type: Audio
Nightfall
A dark, atmospheric hybrid track melding solo strings and piano with strong rhythmic electronic synths and pads, building up to a dramatic back-end.
Icarus (2019 Remaster)
A remaster of another popular old library track. Sweeping, uplifting orchestra, with synth and driving percussion.
Light in Dark Places (2019 Remaster)
A remaster of a popular old library track. Uplifting orchestra with some bold choir in the back half – short but sweet.
Ashes of a Fallen Year (2019 Remaster)
A 2019 remaster of an old track! ‘Ashes’ is a simple, uplifting orchestral track with acoustic drums and strings. The new version has more emphasis on solo strings (violin and cello).
Freedom
An uplifting orchestral track, imbued with ideas of exploration, and the pioneering spirit.
Ascension
Sweeping orchestra, with a touch of sadness, a pinch of melancholy, but a smidgeon of hope for balance – a modern tone poem for the trials of overcoming adversity. A simple, distorted synth helps drive the orchestra forward.
Computations in a Snowstorm
Ambient electronics, strings and solo cello, melding into an amorphous tonal explorational soundscape. I’ve also included a ‘No Cello’ mix, which transforms the track into atmospheric underscore.
Red
A dark, driving orchestra/electronica hybrid track – inspired by the darker futures of visual masterpieces such as Deux Ex and Cyberpunk 2077. However, this track was directly inspired by Kuldar Leement’s inspirational digital artwork, ‘Red’.
Titan
A soaring, epic orchestral piece, embodying the beauty of exploration and discovery. Starts off with sombre cellos, but builds to a broad final section with full orchestra.
Time and Space
A simple, modern piano & orchestra piece in two parts – beginning with a simple piano motif and effected woodwinds, but suddenly dropping into a dramatic, driving orchestral backend at ~2:05.
