www.scottbuckley.com.au features a small library of original cinematic music, ideal for use indie filmmaking, game design & media projects.
Creative Commons means music on this site can be used for free, as long as your project is non-commercial.
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An uplifting cinematic orchestral cue, featuring ethnic winds, vocals, percussion and strings.
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An aggressive rock-tronica track, featuring riffing guitars, and driving drums and synths.
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A dark rock track, featuring moody electric guitars, driving drums & subtle distorted synths.
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A folky tune featuring acoustic guitar, ukulele, and well, pretty much anything I could find lying around.
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A very simple, sparse pop tune featuring subtle piano, synths & electronics
Here’s a cool dark piece about a game of chess that ends… rather badly. It’s a Columbian-made film, directed by Felix Joleanes, and features my track ‘Parasite’. [Warning: It get's rather bloody!].
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My electric guitar is definately getting a workout. Here is another driving rock-tronica track called ‘Pariah’ for you creative people, available as a free MP3 download.
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I’m a lover of all things nature, and so I thought this short video featuring dancing midges was just amazing. It’s beautifully shot, and is so simple it’s mesmerising. AND, it uses my track ‘Light in Dark Places’.
Cool site – nice short and sweet interviews with composers, and neat photos of their studios. Good to see a few there which don’t look like they needed to take a night job as a drug dealer to afford them. Noice!
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I got an email this morning from Film Music Magazine, with an advertisement to learn music supervision & licensing through the ‘Music Business Institute’.
I have no idea whether this is the first of it’s kind – but it’s a beautiful example of the world we now live in – a world run by music licensing.
This world is very competitive too. Everyone is a composer now, vying for a piece of the same pie. Resources are scarce, and they grab for every bit of work we can lay our hands on.
So I’m not surprised that there are courses for music supervision & music licensing. A composer might even get lucky and land a job actually working in music supervision too… but that brings me to a moral dilemma I have…
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